I gather as many home movies (8mm, super 8 or 16mm) as I can find and then digitize them. In the process, I look for images that resonate with me either visually or through content. I capture stills from the scenes I find most compelling and the technique often creates artifacts or aberrations in the image. These imperfections from the process reinforce the irony of a vintage analog medium being transformed into a new digital version. Stills frames into motion into motion into still frames.